Saturday, February 03, 2007

Next Meeting: Tuesday, February 13th - Seeking Films for Screening - New York

Thanks to Linda, Natalie and John for sharing their scripts with us last Tuesday.  Hopefully will see them progress into films soon.  Now, on to our next meeting!  Remember, we meet every other Tuesday. 

One our our active members, Son Tran, recommended a Screening of our films.  A great idea and long overdue.  If you have a film you have completed or are working on, and want to test it with the group, please participate in this next meeting.  Rough cuts, trailers, commercial work, completed shorts etc. are all accepted.  The only requirement is that the film have been completed no more than one year ago.  An important aspect that we have neglected somehat is the ‘workshop’ aspect of our meetings, meaning constructive criticism for each other regarding the work.  This won’t be about seeing the film, we all clap, then on to the next.  This will be more about what we liked and what we thought needed help in all aspects including story, production, performances....

Anyone who wants to screen their film for the group, please email with “Film Screening” in the Subject line.  Include the Title, Type (short, feature etc.), Format (Film, DV), and Run Time.  Anyone interested WILL get screened, however depending on volume of submissions may have to spread over a few meetings.

Please email us ASAP to help us with planning the Feb. 13th meeting.  Being the eve of Valentines Day, I can’t promise that those films dealing with love, lust and heartache won’t get priority.  : )

Posted by Tana Sarntinoranont in News | Firmalink

Wednesday, January 31, 2007

Writer “X” #1 Project Details Announced!

The first running of the AAFL Writer X Project
commenced January 30, 2007 with the announcement of
Writer X story theme and constraints. AAFL member
Kaushik Shridharani is the Executive Producer of this
iteration.

Members submitting a script treatment or screenplay in
the story competition portion of the Writer X project
should:

1. Incorporate this theme: “Taking back what has
already been given,” or some close variant. The
interpretation is up to you! The less literal is
likely to be more interesting.

2. Include at least one female character, as lead or
co-lead.

3. Target a film length of 6-10 minutes.

Submissions are due on 27 February 2006.

FAQ:

Q: What is the cost?
There is no entry fee.

Q: Who decides the winner? What other factors are
involved in the selection?
A: The Executive Producer will make the ultimate
decision and may consult with non-participants. One
other significant factor in the selection process will
be its “producability” as a low-budget film. In other
words, smaller casts, fewer locations, fewer special
effects are all better.

Q: How “Asian-American” should the submission be?
The degree to which the story or characters are Asian
or Asian-American will NOT be a factor in this
iteration of the Writer X project.

Q: What form do I submit in? Does it need to be
properly formatted?
A: Submissions may be either the form of a script
treatment or screenplay. Keep in mind that the story
will proceed through a script development process.
What is most important is that the story should be
completely though.

Q: Who owns the story? Will the writer be compensated?
A: The writer retains ownership of his or her story or
screenplay. However, by submitting an entry, the
writer agrees to permit the production of a film based
on his or her story or screenplay without any
compensation beyond the appropriate credit.

Q: What if I have other questions:
A: Any other questions about the first running of the
Writer X projecct can be directed to Kaushik
Shridharani (). Please mention
“Writer X” in the subject header.

About the Writer X Project

The “Writer X Project” is a collaboration between AAFL
and a member who will be Executive Producer of a short
film project that seeks a writer. The Executive
Producer commits to the film’s prompt production. AAFL
hosts a competition among members for the winning
script treatment or screenplay as well as a workshop
during that script’s development. The winning writer
gets an opportunity to gain a writing credit as well
as experience the script development process.

The Executive Producer in this first run of Writer X
is member Kaushik Shridharani, who will also act as
the film’s Director and Producer.

Any member who wishes to make a commitment as the
Executive Producer in the next running of the Writer X
Project should send an email to
with “Next Writer X Project” in the header.

Posted by Tana Sarntinoranont in News | Firmalink

Tuesday, January 23, 2007

Call for Entries: 30th Asian American International Film Festival

Call For Entries: Asian American International Film Festival

30TH ASIAN AMERICAN INTERNATIONAL FILM FESTIVAL
Now accepting entries!

Deadline (postmarked): Feb 9, 2007

Calling all filmmakers of Asian descent! The 30th AAIFF — running from July 19-28, 2007 — is now accepting film and video works, for both features and shorts. Narrative, documentary, new media, animation, experimental, music video—we consider all. We accept works produced, written and/or directed by media makers of Asian descent from any nationality. Deadline is Feb 9, 2007 (postmarked).

Submit your film online here, http://www.withoutabox.com/login/5751

Or you can also download the entry form here, http://www.asiancinevision.org/pdf/07AAIFF_CFE.pdf.

Founded in 1978, the AAIFF is proudly known as the “First Home to Asian American Cinema.” It was the nation’s first festival dedicated to screening works by media artists of Asian descent and, 30 years later, the festival continues to be a leading showcase for Asian and Asian American film and video.

The festival has many showcase categories, including Features, Shorts, Screenplay, Music Video, Works-in-Progress and For Youth By Youth. The call for entries for Screenplay, Music Video, Works-in-Progress and For Youth By Youth will go out later in February 2007. Watch http://www.asiancinevision.org/festival.html for updates.

For more about the festival and call for entries, go to http://www.asiancinevision.org/festival.html#cfe

Posted by Webmaster in News | Firmalink

Thursday, January 11, 2007

CREW CALL: JAN26-28

Looking for 1 general PA, 1 Director’s Assistant for three day shoot
Jan 26-28 for a mostly night shoot.  Also looking for 1 lighting team
electrician/grip/gaffer type.  The project is a short film based on a
Chinese horror fable called Aunt Tigress.

Director is a working television producer and director with credits in
MTV, A&E, ABC, VH1 etc.  No pay but will provide recommendation &
references if all goes well.  Meals and transportation provided.  Must
have good attitude, be smart and flexible.  Ideally, the lighting PA
will have some experience with lighting equipment and be interested in
cinematography.  This will be a great experience for someone who’s
starting out or looking to get into the
film/tv industry or want to work with great people and have great fun!

Please email resume and at least 2 references to
ASAP and indicate which PA position you are interested in.  Thank you.

Posted by Webmaster in News | Firmalink

Tuesday, November 28, 2006

AAFL WKSHP 05DEC2006: AAFilmLab Feature Film Production Panel

AAFilmLab Workshop Email

We would like to invite you to the last Asian American FilmLab meeting for 2006. It's been a great year, thank you all. This last meeting will be all about *Feature Film Production*, featuring James Bai, Eric Byler, Karin Chien, Stann Nakazono, and Greg Pak. See program information below. Don't miss this!

AAFILMLAB FEATURE FILM PRODUCTION PANEL

Tuesday, December 5th @ 7:00 p.m.
19 West 26th Street, 5th Floor

Since this will be a very popular program, please follow the RSVP guidelines.

RSVP to .

In *Subject* Heading include: AAFilmLab Feature Film Panel RSVP
In *Body* of your email: Your First and Last Name (No other text is necessary)

Only ONE RSVP per email, no "guests" or +1's allowed. If you would like a friend or colleague to attend, they must RSVP for themselves. Attendence is on a first come, first served basis. Only fifty (50) slots are available. We will be accepting a suggested donation of $5 per person to help pay for food and drinks.

6:30 - 7:00 - Attendees arrive
7:00 - 7:05 - Introduce Panel members
7:05 - 7:45 - Feature Film Production Discussion

1) Provide practical advice for filmmakers interested in their first feature
2) Share any lessons learned from their own feature projects
3) Advice on scriptwriting/fundraising/preproduction/production/post - (in brief)
4) Thoughts on the future of Asian American films including the Asian American Market

7:45 - 8:30 - Question and Answer
8:30 - 9:30 - Networking Mixer with Food and Wine

About our Panel:

JAMES BAI
Born in Columbia, Missouri and raised in Southern California, James Bai studied business management as an undergraduate while playing lead guitar in various rock bands dating back to jr. high. It was as an accountant that he made his first film, a short animation on 10 stacks of Post-Its(c) called *Bonin': A Dog's Life*. After confirmation from his younger brother, who at that time was attending NYU's undergraduate film program, that the short was indeed as funny as he thought, James applied to graduate film schools and was accepted by Columbia University. It was there that he spent 4 years developing his quirky and and intense visual story-telling style. His student short films went on to garner numerous awards while screening internationally and broadcasting domestically. After graduating, a calling to go "into the shed" caught hold of James and he spent the next 6 months in Alaska, where he taught himself to play the piano by ear at a nearby church, as research for his new film. James returned to New York City, and settled in the borough of Brooklyn where he embarked on the production of the mesmerizing tale of *Puzzlehead*. *Puzzlehead* made its world premiere at the 2005 Tribeca Film Festival and was the grand prize winner at the Scienceplusfiction Film Festival.
http://www.imdb.com/name/nm1842522/

ERIC BYLER
Bi-racial writer-director was nominated for an Independant Spirit Award in 2003 for his first feature CHARLOTTE SOMETIMES, which also earned nominations for producer Marc Ambrose and actress Jacqueline Kim. Eric's second feature AMERICANese was purchased for theatrical distribution by IFC Films, after premiering at the South by Southwest Film Festival in March of 2006 where it won the Audience Award, and Special Jury Award for Outstanding Ensemble Cast. Eric directed the Asian American TV Pilot MY LIFE DISORIENTED which premieres on PBS on Dec. 26th, and has a CHARLOTTE SOMETIMES sequel called TRE in post production. In 1995, Eric's student film KENJI'S FAITH premiered at the Sundance Film Festival, won six other festival awards, and was nominated for a Student Academy Award. Eric's father is of European descent and his mother is Chinese American.
http://www.imdb.com/title/tt0818611/

KARIN CHIEN
Karin Chien is an independent film producer based in New York City and Los Angeles. Ms. Chien recently wrapped post-production on UNDOING, which premiered at the 2006 Los Angeles Film Festival, and is currently in post-production on FOLLOWING ROSA, which filmed in the Philippines in Fall 2005. Ms. Chien also produced THE MOTEL (winner of the Sundance/NHK Filmmakers Award, the Humanitas Prize, and 3 Best Narrative Feature Film Festival Awards), currently in theatrical release by Palm Pictures. Ms. Chien has produced the feature-length films MVP, which premiered at the 2004 Sundance Film Festival, and ROBOT STORIES, winner of 35 film festival awards and self-distributed theatrically to over 50 cities nationwide.
http://www.imdb.com/name/nm0157313/

STANN NAKAZONO
Stann Nakazono is a sansei (third-generation Japanese-American) filmmaker who has been making films since high school (his Super-8 short, Life of a Samurai, got an A+ in an Asian American Studies class). He shot, produced, directed and edited the 1984 documentary short, E-Z Rock: Asian American Breakdancer, the story of a breakdancing 14-year-old who is at odds with his traditional Asian father. It won critical acclaim at Asian American film festivals in New York and in Los Angeles. In 1997, he produced his first feature film, Hang Your Dog in the Wind, which had its world premiere at the '97 Slumdance Experience (which he co-founded) at Park City, Utah, the alternative to the alternative of the Sundance Film Festival. Hang Your Dog in the Wind was featured in other film festivals in New York, Chicago, Orlando and Europe. It won the Special Jury Prize at the 1997 Florida Film Festival. After co-directing his independently-funded feature film, Much Adobo About Nothing , he produced the acclaimed live action/animated short An I Within, which won the Best Cinematography Award at the 1999 Florida Film Festival, Special Achievement Award at the USA Film Festival and Best American Short at the L.A. Short Film Festival.
http://www.traaxproduction.com/index.html

GREG PAK
Greg Pak is an award-winning writer and director whose feature film, "Robot Stories,"starring Tamlyn Tomita and Sab Shimono, played in 75 festivals, won 35 awards, screened theatrically across the country, and is now available on DVD from Kino International. Pak's feature screenplay "Rio Chino" won the Pipedream Screenwriting Award at the IFP Market and a Rockefeller Media Arts Fellowship. Pak wrote the screenplay for the feature film "MVP," which premiered at the 2004 Sundance Film Festival. Pak is now writing comic books. Projects include "Incredible Hulk" and "X-Men: Phoenix - Endsong" for Marvel and "Battlestar Galactica" for Dynamite.
http://www.pakbuzz.com
http://www.imdb.com/name/nm0657062/

Posted by Webmaster in News Workshop | Firmalink
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