AAFL WKSHP 05DEC2006: AAFilmLab Feature Film Production Panel
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Rosalie Joseph
ABC Casting
157 Columbus Ave.
2nd floor
NYC, NY 10023
Please write on envelope: DR. CHEN
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If you know any actors that fit this description, please forward them this casting call. In search of:
“A very smart 35 - 45 year old Chinese accupuncturist with a strong Chinese accent that he’s putting on for effect. He has to be a VERY good actor, because it’s a lead.”
Actors please email your headshot and resume to (JavaScript must be enabled to view this email address) with subject heading: ABC Accupuncturist. Any emails without this subject heading will be deleted and not considered. Thanks for your help!

Only ONE RSVP per email, no "guests" or +1's allowed. If you would like a friend or colleague to attend, they must RSVP for themselves. Attendence is on a first come, first served basis. Only forty (40) slots are available. PLEASE BRING 2 COPIES OF YOUR HEADSHOT TO THE WORKSHOP
*Auditioning Workshop for the Actor*
6:30 - 7:00 - Attendees Arrive
7:00 - 7:35 - Introduce Marci Phillips
7:35 - 8:15 - Marci shares her experience as CD
Addresses the following:
Marci is the Executive Director of Primetime Casting for ABC Entertainment and is responsible for their New York comedy casting. Along with her associates, Marci casts for all ABC and Touchstone pilots (comedies and dramas), new series regulars, TV movies and alternative series. Marci previously worked for Steven Bochco Productions and MGM Studios. She cast the independent film "Let It Snow" which was featured at Sundance and co-produced the musical comedy "Moo! The Twisted Tale of Dinky Farms" at MTS. Marci has been an active member of the Advisory Board for The Aspen Comedy Festival for the last eight years. For the past 3 years, she has supported the Asian American Film Shootout Competition by judging the Best Actor/Actress categories.
The AAFilmab, MTV World, and Asian CineVision is proud to announce the winners of the 3rd Annual 72 Hour Film Shooutout!!. Congratulations to all of you and thank you for inspiring all of us here at the AAFilmLab.
GRAND JURY AWARD
Team: Cat Rat Dog
Film: Goodnight Mr. Lee
Members: Peter Chin and John C. Kim
1ST RUNNER UP
Team: Melt Papaya
Film: Pandamania
Members: Jessica Chung and Chris Tsou

2ND RUNNER UP
Team: Kerjen
Film: Stinky T
Members: Peter Wang, Heland Lee, and Jackson Loo

1818Sawtelle
Draw
A2 Films
The Editor
Cat Rat Dog
Goodnight Mr. Lee
Freshrock Filmworks
The Leak
Infrastructure DV
The Last Game
Inspirasian
One Chinese Dude
JESK
Seize the Day
K & A Productions
Girls Night Out
Kerjen
Stinky T
Melt Papaya
Pandamania
Super Seiko
To Be
Tea Bag
Mao Got Your Tongue
Team Reflex
OCD + ESQ = 8C
The Moonlighters
The Final Countdown
The Sleepy Panda
The Greatest Game Ever Played
BEST ACTOR
Chiko Lai
Film: Rest Stop
Team: Pretty Sweet
BEST ACTRESS
Diana Chang
Film: Rest Stop
Team: Pretty Sweet
BEST COMEDIC PERFORMANCE
“The Panda” played by Noel Santos and Chris Tsou
Film: Pandamania
Team: Melt Papaya
BEST CINEMATOGRAPHER
Carlos Misenas
Film: The Last Game
Team: Infrastructure DV
BEST DIRECTOR
Peter Chin and John C. Kim
Film: Goodnight Mr. Lee
Team: Cat Rat Dog
BEST EDITING
Peter Chin, John C. Kim, and Wei Ling Chang
Film: Goodnight Mr. Lee
Team: Cat Rat Dog
BEST STORY/WRITING
Jessica Chung and Chris Tsou
film: Pandamania
Team: Melt Papaya
MOST ORIGINAL FILM
Seiko Higuma
Film:To Be
Team: Super Seiko
Judging is now underway and will be finalized within the week! We know it’s been a long break, but get ready because we have two important events coming your way. The Wrap Party at MTV hosted by Suchin Pak in Times Square and also the Top 15 Screening at the New York Asian American International Film Festival. See details below.
Shootout Wrap Party - Wednesday, July 12th, 6 - 8 p.m.
MTV in Times Square, 1515 Broadway 7th Floor
Please RSVP to (JavaScript must be enabled to view this email address)
Teams are limited to 4 guests total (this may change based on RSVPs), identify your team within your email. First come, first serve, only those that RSVP and receive email confirmation will be admitted.
6 - 7 p.m. We mingle at MTV
7 - 8 p.m. Awards and annoucements
TOP 15 WINNERS
Top 15 finalists that will be screened at the 29th Annual Asian American International Film Festival will be announced.
INDIVIDUAL AWARDS
Individual awards for Best Story, Director, Cinematographer & more will be announced. Each award will be followed by a 30 second clip of the winning film.
TEAMS: Please elect one team member to receive the Individual award. In order to expedite the evening, there will be no speeches from the individual award winners.
GRAND JURY AWARDS
We will then announce the 2nd runner up, 1st runner up, and the winner of the Grand Jury Award for the 3rd Annual 72 Hour Film Shootout. The top three films will be played in entirety.
TEAMS: The whole winning team can come up to receive the award. Please be considerate and appoint one person to speak on behalf of your team. Limit speech to 30 seconds please.
Top 15 Shorts Program - Sunday, July 16th, 1:00 p.m.
29th Annual Asian American International Film Festival
The Asia Society, 725 Park Avenue (at 70th Street)
“In the third annual 72 HR FILM SHOOTOUT, winning teams showcase shorts written, shot, edited and produced in 72 hours around a central theme. Did pressure and time constraints get to them? Followed by Q&A.”
It is a rare opportunity to have your film shown on the Big Screen. Don’t miss it! Get your tix at:
72 Hour Shootout Shorts Program-Asian American Film Festival
The 72 Hours is up! We rejoice with you all. We cry with you too. As previous contestants, we know the highs and lows of this competition, and want to congratulate you all on just being a part of it. Remember, the films you created exist beyond the limitations of this competition, and have joined the larger cause of expression through independent Asian American Film. We eagerly await all of your submissions!
SAVE THE DATES!
Wednesday, July 12th- Wrap Party at MTV, Times Square, NYC
»Grand Jury Awards Top 3 Films
»Announcement of Top 15 Films
»Announcement of Individual Awards
Sunday, July 16th - Screening of Top 15 at Asian American International Film Festival, NYC
If you can’t make it to NYC for the Wrap Party, don’t worry, competition results will be posted simultaneously on this website!
OBSESSIVE/COMPULSIVE
PLUS: Music Challenge
Every team is required to incorporate music into their film. Examples include an original score, characters whistling a tune, or a music video. Although musical creativity will not be a component of judging, it is a required element that the organizers would like filmmakers to utilize to enhance the narrative of their film as it relates to the theme.
>>DOWNLOAD THE HANDY SUBMISSION CHECKLIST & THEME DOCUMENT!!!
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Weekend contact (Saturday, Sunday and Monday, 12-6:00pm): Tana 917.881.8031
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A Note About Techniques Used in Film Music
Music is often used in films to involve an audience emotionally. Members of the audience can follow the story line as the visuals unfold, and can understand the emotions of the characters. However, as Brown (1994) says, it is the combination of the visuals with music that makes the viewers feel those emotions. For example, when watching Psycho we not only attribute fear to the unfortunate heroine when we watch her murder; we also feel fear, a sensation heightened by the visual impact of the camera work and the shocking musical accompaniment. Indeed, Brown (1994) writes that a critic for Time magazine objected violently to this scene because he considered it gruesome and far too explicit. On closer examination of the film, though, the portrayal of the murder does not actually show the knife entering the victim’s body. What causes the horror is the combination of Herrman’s score and Hitchcock’s macabre genius in editing the camera shots.
Music is used in two modes within films: diagetic and non-diagetic. Diagetic music is music which occurs within the narrative of the film. It is attributable to some source seen in the film, such as a radio, a record player, a musical instrument, a juke box or an orchestra in a concert hall. The characters of the film can hear this music. Non-diagetic music is music which is not part of the narrative, not attributable to a source in the film, and is unheard by characters in the film. This type of music is usually used to add affective colour to the film, and play on the emotions of the audience. It can be used to cue the audiences to feel uneasy; to build up tension; to flag an approaching disaster or to signal a love affair. Some composers, such as Korngold (composer of the music for the 1940 film ``Sea Hawk’‘) associated particular characters with a non-diagetic musical theme, in the leitmotivic style (see below) most commonly attributed to Wagnerian Opera. This type of music is, for the most part, used to cue events in the narrative, although non-diagetic music playing at a counterpoint to the narrative can achieve interesting results.
http://www.cogsci.ed.ac.uk/~judyr/ghostwriter/music/paper/node7.html


Matte Chi, President AAFilmLab, The Workshop (2005-2006)
While I write this during the sleepy hours of a Sunday afternoon, the Asian American community is silently but unstoppably growing. At this very moment the Asian Americans who are accounted for, form 4% of the population of the United States. We Asian Americans will double our population in breakneck speed mirroring the historic growth of Hispanic-Americans. In a mere 50 years time we will stand on the platform alongside Hispanic Americans and African Americans to rival the majority in the United States (non-Hispanic White Americans will cling to a 50.1% majority).Chung Tsang and his friends have put together a shorts screening nite in Chinatown. The inaugural screening is this Friday, January 20, 2006. They will be showing some earlier works by Michael Kang.
DETAILS
30 Mott Street, NYC
(by Woo Hop)
7PM SHARP till 8pm.
Q&A afterwards.
Hope to see some AAFilmLab peoples make it out on this expedition! Copy and pasted but still very valid and respectable bio of M.Kang follows below:
Michael Kang is a Korean American filmmaker based in New York. His feature film directorial debut “The Motel"which was produced by Indie veteran director Miguel Arteta (Chuck & Buck, The Good Girl) premiered at the Sundance Film Festival in January 2005 and is scheduled for its theatrical release through Palm Pictures in June 2006. “The Motel” is the recipient of the Humanitas Prize as well as both the Best Narrative Feature from the San Francisco International Asian American Film Festival and Best Dramatic Feature from The San Diego Asian Film Festival. The film was also awarded the 2003 Sundance/NHK International Filmmaker’s Award. In addition, Michael was a fellow at the Sundance Filmmakers Lab in 2002. Most recently, Michael was honored with a residency at the prestigious MacDowell Colony. He also received the 2002 Geri Ashur Award in screenwriting through the New York Foundation for the Arts. In 2001, he won the 24th Annual Asian American International Film Festival screenplay competition.
His short film “A Waiter Tomorrow” received both the FilmCore Post-Production Grant, 1998 and the Freaky Film Festival, Audience Choice Award 1999.His film “Japanese Cowboy” was a co-recipient of the Manhattan Community Arts Fund Grant, 1999 and the Special Jury Prize at Film Fest New Haven, 2000. Michael worked as second unit director for Wayne Wang on the film, Because of Winn-Dixie (where he got to direct a live bear).
Director - filmography
The Motel (2005)
Japanese Cowboy (2000)
A Waiter Tomorrow (1998)Writer - filmography
The Motel (2005)
Japanese Cowboy (2000)
A Waiter Tomorrow (1998)Actor - filmography
Asian Pride Porn (2000) .... Delivery Man
A Waiter Tomorrow (1998) .... MikeProducer - filmography
Japanese Cowboy (2000) (producer)
A Waiter Tomorrow (1998) (co-producer)Second Unit Director or Assistant Director - filmography
Because of Winn-Dixie (2005) (second unit director)Editor - filmography
Japanese Cowboy (2000)Stunts - filmography
A Waiter Tomorrow (1998) (stunts)Himself - filmography
Last Man Running (2003) .... Himself